The natural evolution of LELIGHT was LELUX, an even more innovative case designed not just for selfies, but for those who wanted to capture every moment of nightlife, events, and fun. With LELUX, I introduced dual dimmable lighting, both front and back, allowing users to take perfect photos and shoot videos even in the most challenging lighting conditions, like clubs, concerts, or nights out.

The adjustable light on the entire back of the phone enabled the creation of dynamic, well-lit content, capturing the energy and magic of the moment wherever you were. Whether it was a selfie at a party, a video at an event, or a photo in a venue, LELUX made it possible to capture every instant with quality, never compromising on design.

A project designed for those who lived for nightlife and wanted to take the light and energy of every night with them.

In this project, I designed and developed an innovative case for the iPhone 6/6s — the first of its kind: slim, colorful, and equipped with a built-in dimmable front light. The goal was simple yet ambitious: to take perfect selfies even in low-light conditions — in clubs, at concerts, or under the soft glow of urban nightlife.

The case came in a variety of colors, but my personal favorite was the transparent version, which revealed the internal lighting system and turned a technical feature into a distinctive design element.

One of the project’s highlights was a limited edition collaboration with 10 Corso Como, featuring exclusive artwork by the renowned designer Kris Rush on the back of the case. A unique blend of fashion, technology, and art, this special version made the case not just functional, but collectible.

A creative experiment that brought together aesthetics and ingenuity — until the project came to a premature end.

In 2008, I designed and produced a free map of the city of Milan, created to provide tourists and residents with a clear and practical tool. Developed in collaboration with hoteliers, the map was distributed free of charge in all hotels throughout the city and surrounding areas, as well as at the airport, ATM Points, and the Triennale di Milano. This was made possible thanks to the support of local and international sponsors — including Pucci, Regione Piemonte, Hugo Boss, and Celine — who featured on the back with elegant advertisements and informative content.
In a final edition commissioned by Pucci, the project was extended to include the cities of Florence and Rome.
Beyond its cartographic function, the map also featured a lifestyle column curated by a journalist, making it not only practical but also a high-quality editorial product. The initiative also involved institutions and cultural organizations such as Federalberghi, ATM, Triennale di Milano, Start Milano, and Sistema Milano.

Before launching the u@map project, I designed and produced a free city map for Como, distributed in hotels and key locations around the city. Created as a simple and helpful tool for tourists, the map was supported by local and international sponsors — including McDonald’s and Avis — who featured on the back with advertising space.
This initial, smaller-scale project served as a successful pilot, allowing me to test the format and on-the-ground distribution. The positive feedback from Como laid the foundation for u@map, which was later expanded and refined in the editions dedicated to Milan, Florence, and Rome.